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Chủ Nhật, 11 tháng 12, 2016

Essential Principles On Darkroom Equipment And Set Up

By Amy Davis


Photography is an art that has been around for so many years. For top quality results the artist, in this case the photographer needs to have the right equipment. Anyone who has embarked on an artistic effort would know that it equipment are expensive. But these people could not care less, after all it is an investment for the betterment of their craft.

Photography with film are probably the most difficult to do, considering the process for developing the photos are quite tasking. Darkroom equipment are quite pricey if you want the best quality. But even for amateurs it can still cost. The best part is the novelty of the whole process and, of course, the experience.

More vintage way of consuming art is making quite the come back. This may be caused by how people want to feel the genuineness of a certain hobby and experiencing its roots. Image development from film has been so much easier since the start of the computer age. Even now, there are phone applications that can process photos as if they were developed in a dark room.

Looking at the matter as an art, knowing how to develop these pictures without the help of a software takes a lot of skill and discipline. In hindsight, it makes you appreciate the presence of these digital solutions while learning a thing or two about the roots of photography. There are a good number of things that you would need to assemble your own darkroom.

Making your own darkroom can be quite the investment. But think about it, the room can be rented out for other enthusiasts too. Being able to successfully develop film negatives in such conditions should bear that satisfaction only artists who have made their Obra Maestra can have. If you are considering making one, be prepared to shell out some cash.

The most obvious reason for this being called a darkroom is how no light should seep in. Now, this could also mean that there would be no fresh air that gets in the room too. Good ventilation is vital for a place like this. A way to do this is to cut a whole from the outside for air to come in from and then cut a hole on the inside. This can be viewed as the same way a chimney works. The brightness may not be able to come in, but air surely does.

Light, in this case has four settings. That would be white light, safelights, enlarger lights and no light at all. The thing with film is that it needs to be processed in a place with zero brightness. Even the smallest amount can destroy the image. Now it is understandable why people would rather work with a software instead.

While, in essence the place is supposed to be dark some forms of lighting is still required. The three most commonly used are safelights, enlargers and white lights. The fourth mode is no light at all. Whitelight is obviously for being able to see the final results for the prints and cleaning up after the mess. Trying to clean up without this vision is plainly absurd.

It has already been established that zero lightning makes sure that development comes out perfectly, as you would have pictured it while taking the shot. Enlarger lights are there to make sure that you see every detail in your print. Note that during the whole process, temperature inside should be between 65 and 80 degrees Fahrenheit, else it may also ruin the photo.




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