To be strict, any movie made in the United States but not by a bid studio can be categorized as an independent movie. To speak practically, it reflects a broad family, including almost any film that was made without the funding and connections enjoyed by mainstream Hollywood movies. Films in this family have an uphill climb facing them when it comes to distribution, even in New York or Los Angeles. People looking to enjoy these films should learn how to enjoy indie movies online.
If one values quality, one should learn to appreciate it when it appears. The average indie film isn't looking to be just another knockoff of mainstream movies, but looks at approaches and subjects Hollywood generally doesn't yet touch. It can be liberating not needing to make $100 million on the first weekend. It permits the cultivation of a small audience of elite taste and knowledge.
Probably the back bone of the indie film movement is the hard band of indie film-makers, typically armed with an MFA in film, a little money, and a lot of nerve. These films are often the work of film-makers who are even more independent, lacking any degree or connections. This group of producers and directors and those from the schools do work that informs each other, with the un-degreed perhaps more likely to resort to genre films such as horror movies.
The nature of entertainment nearly dictates that there are going to be genres that almost never hit the marketplace jackpot. First among these is the documentary. Documentaries are of out-sized importance in the indie film market. They have a rare capacity to shine a spotlight upon issues that are ignored by Hollywood, and which are ignored by the nightly news as well.
Documentary films have become a weapon of resistance for the powerless living in untended corners of the world, places like Indonesia and Rwanda. At home, they have been a tool for giving attention to impoverished or otherwise marginalized groups of people. The camera counterbalances the advantage in resources possessed by multinational corporations and oppressive regimes.
Since the independent film world is full of film school graduates, dedicated websites serving this select audience are also fine sources for movies film-makers use to learn their art. They generally carry foreign language films, and many of the sites are genuinely committed to representing as many nations as possible. Many also carry silent films, one of the world's unacknowledged treasures almost completely unwatched by the sugar-stimulated 21st century audience.
Among the wonderful things indie films can do is make movies that help minorities see their lives reflected on the screen. The films can actually become a vital aspect of such groups' lifestyle, a pocket universe of media within the mass market. The LGBT community, eager to find screen romances that break the heterosexual mold, takes full advantage of indie movies' ability to give voice and image to smaller audiences.
Another group is the evangelical community, which effectively includes Mormons. Both groups raise the objection that Hollywood has ignored their socially conservative values, and have begun making their own films. More and more people have come to value independent film, and increasingly, the best place to find them is online.
If one values quality, one should learn to appreciate it when it appears. The average indie film isn't looking to be just another knockoff of mainstream movies, but looks at approaches and subjects Hollywood generally doesn't yet touch. It can be liberating not needing to make $100 million on the first weekend. It permits the cultivation of a small audience of elite taste and knowledge.
Probably the back bone of the indie film movement is the hard band of indie film-makers, typically armed with an MFA in film, a little money, and a lot of nerve. These films are often the work of film-makers who are even more independent, lacking any degree or connections. This group of producers and directors and those from the schools do work that informs each other, with the un-degreed perhaps more likely to resort to genre films such as horror movies.
The nature of entertainment nearly dictates that there are going to be genres that almost never hit the marketplace jackpot. First among these is the documentary. Documentaries are of out-sized importance in the indie film market. They have a rare capacity to shine a spotlight upon issues that are ignored by Hollywood, and which are ignored by the nightly news as well.
Documentary films have become a weapon of resistance for the powerless living in untended corners of the world, places like Indonesia and Rwanda. At home, they have been a tool for giving attention to impoverished or otherwise marginalized groups of people. The camera counterbalances the advantage in resources possessed by multinational corporations and oppressive regimes.
Since the independent film world is full of film school graduates, dedicated websites serving this select audience are also fine sources for movies film-makers use to learn their art. They generally carry foreign language films, and many of the sites are genuinely committed to representing as many nations as possible. Many also carry silent films, one of the world's unacknowledged treasures almost completely unwatched by the sugar-stimulated 21st century audience.
Among the wonderful things indie films can do is make movies that help minorities see their lives reflected on the screen. The films can actually become a vital aspect of such groups' lifestyle, a pocket universe of media within the mass market. The LGBT community, eager to find screen romances that break the heterosexual mold, takes full advantage of indie movies' ability to give voice and image to smaller audiences.
Another group is the evangelical community, which effectively includes Mormons. Both groups raise the objection that Hollywood has ignored their socially conservative values, and have begun making their own films. More and more people have come to value independent film, and increasingly, the best place to find them is online.
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