Mary Cassatt paintings were products of the Impressionist movement in the later part of the 1800s. They were the outcome of a study of the works of the old masters of Europe. Mary left for Paris in 1866 and began her private art lessons in the Louvre.
Despite their conservative and tasteful backgrounds, Mary Cassatt paintings are declarations of modernity and demonstrations of her rejection of several traditional artistic conventions. By giving inanimate objects equal importance with her figures, Mary denies the usual compositional primacy given to human forms.
Later on, Mary Cassatt paintings became artistic experimentations with its bright colors and unflattering accuracy of its subjects. They became famous for their portraits of women in everyday domestic settings, particularly of mothers with their children. They were unconventional in their direct and honest nature, in contrast to the Madonnas and cherubs of the Renaissance.
Going against the grain is a feature of Andrew Wyeth paintings. The early watercolors in Maine that constituted these paintings, are dismissed by the artist as being part of his blue sky period. Andrew Wyeth paintings are an epoch of art history showing a clear devotion to the abstract and the visually obtuse.
That Andrew always painted for himself is clearly evident in his Andrew Wyeth paintings. It was a memory of a four year old Andrew, feeling anticipation and trepidation, in the middle of a Christmas night, with a stocking on his bed, containing a skinny doll stuck on its neck, which started the impulse to produce the brilliant Garret Room, depicting a sleeping old black man named Tom Clark.
Andrew Wyeth paintings were occasional endeavors of sharing with the world, the underlying emotional and spiritual impulses felt by Andrew. They showed a romantic nature to their realism. Andrew has always considered free, dreamlike and romantic associations are vital parts of the creative process. These qualities of his work guarantees their being remembered indelibly, if not fondly.
Despite their conservative and tasteful backgrounds, Mary Cassatt paintings are declarations of modernity and demonstrations of her rejection of several traditional artistic conventions. By giving inanimate objects equal importance with her figures, Mary denies the usual compositional primacy given to human forms.
Later on, Mary Cassatt paintings became artistic experimentations with its bright colors and unflattering accuracy of its subjects. They became famous for their portraits of women in everyday domestic settings, particularly of mothers with their children. They were unconventional in their direct and honest nature, in contrast to the Madonnas and cherubs of the Renaissance.
Going against the grain is a feature of Andrew Wyeth paintings. The early watercolors in Maine that constituted these paintings, are dismissed by the artist as being part of his blue sky period. Andrew Wyeth paintings are an epoch of art history showing a clear devotion to the abstract and the visually obtuse.
That Andrew always painted for himself is clearly evident in his Andrew Wyeth paintings. It was a memory of a four year old Andrew, feeling anticipation and trepidation, in the middle of a Christmas night, with a stocking on his bed, containing a skinny doll stuck on its neck, which started the impulse to produce the brilliant Garret Room, depicting a sleeping old black man named Tom Clark.
Andrew Wyeth paintings were occasional endeavors of sharing with the world, the underlying emotional and spiritual impulses felt by Andrew. They showed a romantic nature to their realism. Andrew has always considered free, dreamlike and romantic associations are vital parts of the creative process. These qualities of his work guarantees their being remembered indelibly, if not fondly.
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Learn more about Mary Cassatt paintings. Stop by Darren Hartley's site where you can find out all about Andrew Wyeth paintings and what it can do for you.
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