Velazquez paintings are famous for their portraits, which rank among the finest in world art. Diego Velazquez was the greatest among all Spanish painters. Diego spent most of his life in Madrid where he was the favourite artist of King Philip IV, who let no other artist paint him.
Most of the Velazquez paintings were unavailable to the public until the opening of the opening of Spain's national museum, the Prado, in 1819. From then on, his influence can be gleamed from the works of Manet, Picasso and Francis Bacon.
In 1618, Diego married Juana, the daughter of Francisco Pacheco, a local painter, with whom he spent a 6 year apprenticeship with. By 1621, the couple had two daughters. Through the connections his father in law had, Diego was able to move to Madrid in 1622. The Court-Duke of Olivares was one of the earliest sitters for the portraits that comprised the Velazquez paintings.
The move to the royal court gave Diego access to a vast collection of works. He came in contact with important artists including Peter Paul Rubens, a Flemish baroque master, who spent six months at the court in 1628. Among the notable Velazquez paintings of the period was The Triumph of Bacchus, portraying a group of revellers falling under the powerful spell of the Greek god of wine.
Upon Diego's return to Madrid from his Italian travels from 1629 to 1631, Velazquez paintings included portraits of the dwarves who served in the court of King Philip IV, taking care that they are depicted as complex, intelligent beings. Other responsibilities Diego took within the court, along with his painting duties, range from wardrobe assistance to supervision of palace works.
In the snapshot-like painting of Las Meninas, considered to be the most acclaimed among Velazquez paintings, two handmaidens were depicted as doting on the future empress, Margarita Theresa, while Diego peers from behind a large easel. In the painting, In the portrait, Diego was ostensibly studying the king and queen, while his gaze meets the viewer.
Most of the Velazquez paintings were unavailable to the public until the opening of the opening of Spain's national museum, the Prado, in 1819. From then on, his influence can be gleamed from the works of Manet, Picasso and Francis Bacon.
In 1618, Diego married Juana, the daughter of Francisco Pacheco, a local painter, with whom he spent a 6 year apprenticeship with. By 1621, the couple had two daughters. Through the connections his father in law had, Diego was able to move to Madrid in 1622. The Court-Duke of Olivares was one of the earliest sitters for the portraits that comprised the Velazquez paintings.
The move to the royal court gave Diego access to a vast collection of works. He came in contact with important artists including Peter Paul Rubens, a Flemish baroque master, who spent six months at the court in 1628. Among the notable Velazquez paintings of the period was The Triumph of Bacchus, portraying a group of revellers falling under the powerful spell of the Greek god of wine.
Upon Diego's return to Madrid from his Italian travels from 1629 to 1631, Velazquez paintings included portraits of the dwarves who served in the court of King Philip IV, taking care that they are depicted as complex, intelligent beings. Other responsibilities Diego took within the court, along with his painting duties, range from wardrobe assistance to supervision of palace works.
In the snapshot-like painting of Las Meninas, considered to be the most acclaimed among Velazquez paintings, two handmaidens were depicted as doting on the future empress, Margarita Theresa, while Diego peers from behind a large easel. In the painting, In the portrait, Diego was ostensibly studying the king and queen, while his gaze meets the viewer.
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