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Thứ Ba, 3 tháng 6, 2014

Paintings Of Paul Gauguin And Titian

By Darren Hartley


The bold colors, exaggerated body proportions and stark contrasts help Paul Gauguin paintings achieve broad success in the late 19th century. This paved the way for the Primitivism art movement. Paul Gauguin was a famed French artist who didn't have any formal art training. Instead, he simply followed his own vision, abandoning artistic conventions.

At first, Paul started painting only in his spare time but quickly became serious with his work. An important Paris art show, Salon of 1876, accepted one of his works. The Impressionists invited him to exhibit his work with them in 1879. Finally, the Vision of the Sermon, one of the most famous of boldly colored Paul Gauguin paintings, was completed in 1888.

Paul began work on creative and innovative art with the fusion of Tahitian culture with his own in 1891. However, these Tahitian pieces were met with mixed interest by Parisian art aficionados in 1893. It was in French Polynesia that one of the later masterpieces among Paul Gauguin paintings was completed. This masterpiece was a review of the life cycle of man.

The first major public commission among Titian Paintings established Tiziano Vecellio's place as the leading painter in Venice. This was the Assumption of The Virgin for the high altar of Santa Maria Gloriosa dei Frari. His training with Giorgione was influential to Titian's tonal approach to painting and his atmospheric and evocative landscape style.

The beauty of nature was celebrated in the pastoral landscapes among Titian paintings in combination with love and music. Among these pastoral landscape paintings were Landscape with Goat and Two Satyrs in a Landscape. The latter was a lush landscape featuring mythological figures. The raw beauty of the landscape was contrasted with a carefully balanced arrangement of the figures.

The portraits among the Titian paintings were remarkable for their expression of a psychological dimension to their sitters while at the same time suggesting their eminent status and importance. Psychological dimensions are expressed through the portrayal of melancholia and dreamy moods while status and importance are conveyed through depictions of hand and face sensitivity as well as presence monumentality.




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